Brought to us by MGM Television and Netflix, we experienced mayhem, mystery and murder in Tim Burton’s Wednesday. With the help of our MPC team’s eerily “Frankenstein-esque” VFX, this supernaturally-infused series spotlights the sleuthing daughter from the iconic Addams family.
For Episode 4 of The Last of Us, Digital Domain Visual Effects Supervisor Mitch Drain and his team were tasked with creating the environment for the post-apocalyptic city. The team added overgrowth, decay and debris along with abandoned cars, FedEx trucks, and military vehicles, and more to truly set the scene.
For the season finale, The VFX team wrapped up its work creating a backdrop of CG environments, as Joel and Ellie drive pass a digitally created sign that reads “Welcome to Wyoming,” signifying the end and beginning of their journey.
It took James Cameron 13 years to make the follow-up to “Avatar” (2009). That time was spent making the sequel, “Avatar: The Way of Water” (2022), even more technologically groundbreaking than its predecessor. While the first movie’s water-based scenes were actually shot on a dry set, the director and his crew built a performance-capture stage that actually worked both underwater and above the surface.
Watch Image Engine’s studio showreel and immerse yourself in the captivating world of our visual effects. From our iconic award-winning projects to our latest cutting-edge work, experience our team’s brilliant craftsmanship and expertise.
Guillermo del Toro’s Netflix adaptation of “Pinocchio” breathes new life into the over-century-old art form of stop-motion animation. The film achieved a new level of expressiveness in its animated puppets by marrying traditional stop-motion techniques with newer technologies.
Led by VFX Supervisor Aaron Weintraub and VFX Producer Emma Gorbey, the primary objective of the visual effects work was to support the filmmaker’s vision and match the practical, stop-motion aesthetic of the film, expertly crafted by the teams at ShadowMachine and The Henson Company.
The ILM Art Department, our StageCraft Virtual Production team, and our visual effects crew helped create an entire island and execute process shots with a desert environment, as well as digital cars on our Burbank StageCraft LED Volume.
We are thrilled to share the showreel of the amazing shots worked on by Redchillies.vfx for the movie ‘Attack’! From CGI robotic arms performing a surgery to creating stunning AI interfaces and set extensions, our talented RC team has left no stone unturned in bringing these visuals to life. We also worked on muzzle flashes, blood hits, and wounds to add that extra touch of realism during high-octane gunfights. And, not to forget, the CGI presentation explaining the surgery was truly a work of art.
Unwrap the VFX layers behind the mystery. Our new breakdown for ‘Glass Onion: A Knives Out Mystery’ is here!
From the Glass Onion itself to full Greek island environmnets, explosions and more, our team delivered 510 shots to bring Rian Johnson’s latest mind-bending thriller to life. We’re so proud of their work on this one!
Check out more of our behind-the-scenes reels here: dneg.com/reels/
We’re bursting with pride at the amazing work our #ReDefine team and #DNEG put into this unforgettable epic — and we’re so excited to finally share a #behindthescenes look at their award-winning work.
The teams of the Toronto-based studio Spin VFX take us to the high seas and in the middle of a storm with this VFX Reel compiling their work on the Netflix film, True Spirit!
Unfortunately, Chrissy was unable to wake up in time for filming – so our Asset Supervisor, Philip Harris-Genois and CG Supervisor François Couette have stepped up to provide you with an awesome look at what went into making the iconic and nightmare-inducing Digi Doubles from Stranger Things 4! Break a leg, guys!